-
Recent Posts
Archives
Categories
- american montage
- associative montage
- Blog #1. Introductions
- Blog #2. Fleshing out film jargon
- Blog #3. Transhuman Reflections
- Blog #4. Refining Thesis Statements
- Blog #5. Deconstructing trailers and video remixes
- Blog #6
- Blog #7. Looking forward. Looking back.
- contrast cut
- Extra Credit blog
- form cut / match cut
- Getting Started
- graphic novels
- linear temporal montage
- long take
- parallel cut / cross-cut / intercut
- rack focus
- subjective camera
- Uncategorized
Class Tags
- 2001: Space Odyssey
- A Canterbury Tale
- Act of Valor
- AI
- American montage
- Artificial Intelligence
- associative montage
- Asspen
- Blog #1. Introductions
- Blog #2. Fleshing out film jargon
- Boogie Nights
- catfood
- cillianmurphy
- Citizen Kane
- comma separated)https://comm2302transhuman.files.wordpress.com/2013/05/screen-shot-2013-05-01-at-1-16-56-am1.png?w=384
- contrast cut
- District9
- Emilio Introduction
- Enough
- eternalsunshine
- evolution
- fightclub
- foglets
- Form cut/match much
- gardenstate
- Hard Boiled
- Holes
- Karate Kid
- Kelly Clarkson
- Knocked Up
- Lawrence of Arabia
- Legally Blonde
- linear temporal montage
- long take
- Long Take Linear Temporal Montage
- Manhattan
- Mass Effect 3
- match cut
- meet the pyro
- Moonrise Kingdom
- mulan
- National Treasure
- parallel cut
- prawns
- Pride and Prejudice
- Project X
- rack focus
- redeye
- Rocky Balboa
- shrek
- slender
- Smoke Signals
- Sorry for the snark
- Spider Man
- Steven Spielberg
- subjective camera
- Tags (optional
- Taken
- tarantino
- Team America: World Police
- team fortress 2
- The Amazing Spider-Man
- The Boy in the Striped Pajamas
- The Dark Knight
- The Karate Kid
- The Lion King
- The Silence of the Lambs
- transhuman
- transhumanism
- transmetropolitan
- transumanism
- Wall-E
- xenophobia
Meta
Tag Archives: The Lion King
Basic Film Techniques: Exhibit A
Subjective Camera: Dick defines the concept of the subjective shot/camera, as the shot that “represents what the character sees”, later explaining that it “offers a one-sided take on reality”(Dick 56). In other words, the subjective shot is captured as though … Continue reading
The Subjective Superhero
Subjective Camera According to Bernard Dick, “an objective shot represents what the camera sees; a subjective shot represents what the character sees” (56). In other words, a subjective camera is like a first-person video game. In Call of Duty (Take … Continue reading
COMM 2302 (Spring 2013) 