-
Recent Posts
Archives
Categories
- american montage
- associative montage
- Blog #1. Introductions
- Blog #2. Fleshing out film jargon
- Blog #3. Transhuman Reflections
- Blog #4. Refining Thesis Statements
- Blog #5. Deconstructing trailers and video remixes
- Blog #6
- Blog #7. Looking forward. Looking back.
- contrast cut
- Extra Credit blog
- form cut / match cut
- Getting Started
- graphic novels
- linear temporal montage
- long take
- parallel cut / cross-cut / intercut
- rack focus
- subjective camera
- Uncategorized
Class Tags
- 2001: Space Odyssey
- A Canterbury Tale
- Act of Valor
- AI
- American montage
- Artificial Intelligence
- associative montage
- Asspen
- Blog #1. Introductions
- Blog #2. Fleshing out film jargon
- Boogie Nights
- catfood
- cillianmurphy
- Citizen Kane
- comma separated)https://comm2302transhuman.files.wordpress.com/2013/05/screen-shot-2013-05-01-at-1-16-56-am1.png?w=384
- contrast cut
- District9
- Emilio Introduction
- Enough
- eternalsunshine
- evolution
- fightclub
- foglets
- Form cut/match much
- gardenstate
- Hard Boiled
- Holes
- Karate Kid
- Kelly Clarkson
- Knocked Up
- Lawrence of Arabia
- Legally Blonde
- linear temporal montage
- long take
- Long Take Linear Temporal Montage
- Manhattan
- Mass Effect 3
- match cut
- meet the pyro
- Moonrise Kingdom
- mulan
- National Treasure
- parallel cut
- prawns
- Pride and Prejudice
- Project X
- rack focus
- redeye
- Rocky Balboa
- shrek
- slender
- Smoke Signals
- Sorry for the snark
- Spider Man
- Steven Spielberg
- subjective camera
- Tags (optional
- Taken
- tarantino
- Team America: World Police
- team fortress 2
- The Amazing Spider-Man
- The Boy in the Striped Pajamas
- The Dark Knight
- The Karate Kid
- The Lion King
- The Silence of the Lambs
- transhuman
- transhumanism
- transmetropolitan
- transumanism
- Wall-E
- xenophobia
Meta
Tag Archives: parallel cut
The Subjective Superhero
Subjective Camera According to Bernard Dick, “an objective shot represents what the camera sees; a subjective shot represents what the character sees” (56). In other words, a subjective camera is like a first-person video game. In Call of Duty (Take … Continue reading
Demistifying Film Techniques (Well Some of Them at Least)
Long Take A long take is a an uninterrupted shot in a film which lasts much longer than the conventional editing pace either of the film itself or of films in general, usually lasting several minutes”, according to Wikipedia. This sort of take … Continue reading
How to Mesmerize Your Audience
Subjective Camera According to Bernard Dick, subjective shot is “what the character sees” and an objective shot “represents what the camera sees” (46). By combining these two shots, the audience sees what the character is actually seeing, through the camera … Continue reading
Movie Madness: The Magic of Filming and Editing
Long Take A long take is described by Dick as simply a shot that lasts for longer than one minute. That means that any shot that does not change camera angles or cease continuity in any way for longer than … Continue reading
Serial Killers, Pornography, and Mystery
In the reading Dick describes a long take as a shot that lasts longer than a minute, with a shot being one continuous filming. It is essentially a continued shot with no cuts in it that lasts for quite awhile, … Continue reading
COMM 2302 (Spring 2013) 