Tag Archives: match cut

The Magic Behind the Curtain

Posted on February 6, 2013 by fnbmbm

For my first concept, I chose to explore the subjective camera. At one point in his article, Bernard Dick defines the subjective shot metaphorically as, “a one-sided take on reality”. However, the subjective shot is more easily understood by one of … Continue reading →

Posted in Blog #2. Fleshing out film jargon, form cut / match cut, linear temporal montage, subjective camera | Tagged , , , , , | Leave a comment

Innocent Sunflower Girl and Daniel LaRusso

Posted on February 6, 2013 by gbust

Rack focus Dick describes rack focus to be when the background is “a blur and the foreground sharp; then the background will be sharp and the foreground blurry” (pg. 93). The purpose of this technique is to conceal someone’s or … Continue reading →

Posted in american montage, Blog #2. Fleshing out film jargon, form cut / match cut, rack focus | Tagged , , , , | Leave a comment

Cinematic Tropes in Animation

Posted on February 6, 2013 by rdietz1

The first type of shot I will discuss is the subjective camera shot. Dick writes, “An objective shot represents what the camera sees; a subjective shot represents what the character sees.” (p. 56) Whereas an objective shot will show the whole … Continue reading →

Posted in Blog #2. Fleshing out film jargon, form cut / match cut, linear temporal montage, subjective camera | Tagged , , , , , , | Leave a comment

It’s All in the Shot

Posted on February 4, 2013 by stipton93

Long Take Dick opens up his discussion about long takes and shots by saying, “While a close-up can express moments of intense emotion, a long shot can be as effective in a different way.” (Dick 54). A long take is … Continue reading →

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