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Tag Archives: American montage
Basic Film Techniques: Exhibit A
Subjective Camera: Dick defines the concept of the subjective shot/camera, as the shot that “represents what the character sees”, later explaining that it “offers a one-sided take on reality”(Dick 56). In other words, the subjective shot is captured as though … Continue reading
Innocent Sunflower Girl and Daniel LaRusso
Rack focus Dick describes rack focus to be when the background is “a blur and the foreground sharp; then the background will be sharp and the foreground blurry” (pg. 93). The purpose of this technique is to conceal someone’s or … Continue reading
Love, Sports, and Apes
Long Take Bernard Dick briefly describes a close-up shot and a long take as opposites; “While a close-up can express moments of intense emotion, a long shot can be effective in a different way” (Dick 54). Basically, a long take … Continue reading
Serial Killers, Pornography, and Mystery
In the reading Dick describes a long take as a shot that lasts longer than a minute, with a shot being one continuous filming. It is essentially a continued shot with no cuts in it that lasts for quite awhile, … Continue reading
COMM 2302 (Spring 2013) 