Category Archives: parallel cut / cross-cut / intercut

Bringing a Film to life

Posted on February 6, 2013 by arizbeth474

Subjective Shot A subjective shot, also known as point of view shot, is a filming method that allows the audience to view a perspective that would normally be only visible through the character in a film or as Dick would … Continue reading →

Posted in american montage, Blog #2. Fleshing out film jargon, parallel cut / cross-cut / intercut, subjective camera | Leave a comment

Blog #2. Fleshing out film jargon with examples

Posted on January 31, 2013 by Althea Delwiche

On Monday (2/4) and Wednesday (2/6), we are reading excerpts from Bernard Dick’s classic textbook The Anatomy of Film. Many of Dick’s examples reference movies that are unfamiliar to contemporary audiences. Your next blog assignment asks you to track down YouTube … Continue reading →

Posted in american montage, associative montage, Blog #2. Fleshing out film jargon, contrast cut, form cut / match cut, linear temporal montage, long take, parallel cut / cross-cut / intercut, rack focus, subjective camera | Tagged | Leave a comment